An eroticized homage to 1970s Italian giallo horror films… Hélène Cattet and Bruno Forzani’s pastiche tour-de-force plays out a delirious, enigmatic, almost wordless death-dance of fear and desire. Its three movements, each in a different style, correspond to the childhood, adolescence, and adulthood of its female protagonist. Drawing its stylized, hyperbolic gestures from the playbooks of Bava, Leone, Argento and De Palma and taking them into a realm of near-abstraction. Amer has genre in the blood. Its bold widescreen composition, super-focused sound and emphatic music (lifted from original giallo soundtracks), and razor-sharp cuts make for an outrageous and intoxicating cinematic head-trip. Featuring music from composers Stelvio Cipriani, Bruno Nicolai and the legendary Ennio Morricone.
Have you ever HATED watching a film only to discover, much later, that you love having seen it? Amer is that film. (In close competition with Enter the Void.) It’s a beautiful love-letter to giallo. The colors are vibrant, the concepts are interesting, the music is gloriously retro and… well… it’s painfully tedious to watch. Painfully. I wouldn’t recommend this to anyone but the most patient and devoted film nerds, but I’ll always think of it fondly.
Coco (Hendler) has just moved to a new apartment with his wife Pipi (Stuart), who’s seven months pregnant. At first, they don’t seem to notice the growing chaos around them, but when authorities quarantine their building after a deadly pandemic breaks out, Coco joins forces with his off-kilter, but well-prepared and stocked next-door neighbor Horacio to defend his refrigerator and keep Pipi safe. Meanwhile, outside the building, Buenos Aires—and the world as the apartment denizens know it, is disappearing. The world is ending; got ammo?
[REC] with a sense of humor? This comedic apocalypse film from Argentina is the latest DVD release from Bloody Disgusting Selects and The Collective.
In Scream 4, Sidney Prescott, now the author of a self-help book, returns home to Woodsboro on the last stop of her book tour. There she reconnects with Sheriff Dewey and Gale, who are now married, as well as her cousin Jill (played by Emma Roberts) and her Aunt Kate (Mary McDonnell). Unfortunately Sidney’s appearance also brings about the return of Ghost Face, putting Sidney, Gale, and Dewey, along with Jill, her friends, and the whole town of Woodsboro in danger.
The newest installment in the acclaimed franchise that ushered in a new wave of horror in the 1990s is written by series creator Kevin Williamson and directed by suspense master and director of the first trilogy, Wes Craven. The film stars Neve Campbell, Courteney Cox, David Arquette, Emma Roberts, Hayden Panettiere, Rory Culkin, Anthony Anderson, Adam Brody, Mary McDonnell, Marley Shelton, Nico Tortorella, Marielle Jaffe, Kristen Bell, Anna Paquin, Lucy Hale, Shanae Grimes, Aimee Teegarden and Brittany Robertson.
This isn’t a recommendation as much as an acknowledgement. Many horror fans thank the Scream franchise for breathing new life into the flagging genre in the 90s. I certainly don’t thank it for making the Trick ‘r Treaters so lazy. Anyway. Scream. Now, there’s another one.